Against Coherence: The American Home's Deliberate Embrace of Furniture That Refuses to Agree
For much of the twentieth century, American domestic taste aspired to a kind of visual consensus—rooms where every piece acknowledged every other piece in a language of shared period, finish, and proportion. That consensus has since collapsed, and in its place has emerged something far more revealing: the deliberately assembled interior, where a Danish credenza from 1962 stands beneath a Victorian mirror and neither apologizes for the company it keeps.